David Bowie Is - leaving Melbourne soon!

#sketch of #costume at #davidbowieis from his 1979 Saturday Night Live performance of #themanwhosoldtheworld resting on my David Bowie Is catalogue. There are worse 24 hour earworms to have - I'll have to buy the album to scratch that itch!
#drawing #drawingfromlife #davidbowie #acmimember #avantgarde #avantgardefashion — at ACMI.

For those interested, you can see my other drawings from David Bowie Is, as well as my other creative output, on my instagram here. I don't always do Follow for Follows but I try to make the time to Like for Likes :)

You can download a free David Bowie album from a selection of about 6 with your ACMI​ David Bowie Is card. Okay. I should have expected that I couldn't fill some of the gaps in my collection with a free download of The Man Who Sold the World, Lodger etc. You want me to buy those Bowie? That is fine! I completely understand. I've been twice and a nice couple - who said they have all of his albums - gave me theirs so I had four to redeem.

Or so I thought.

You can only redeem one album this way per Google Play account. Oops. I chose Earthling. Well played, sir. The promotion cards claim that 'David Bowie is all yours' but clearly he isn't! It's more accurately 'David Bowie is pimping his new album and bumping his less popular works up the Google Play charts' or more simply 'David Bowie is savvy'.

'I'm Afraid of Americans' is an epic song. It's in my top ten of favourite Bowie songs. I friggin' LOVE it. I saw the clip for the first time on Monday and thought that was clever too. A pity about the rest of that album - I am not a fan of drum-and-bass, it sounds a bit samey after a few songs IMHO - but maybe I'll grow to like it!




As for the exhibition itself:

No photography permitted, is not just signed but verbally instructed to every visitor. I have seen some sneaky mobile phone images online because some take this as a challenge to rise to rather than respecting Bowie's wishes. Why take a crappy pic on your phone to share on social  media when the catalogue is filled with beautifully shot images of all the artifacts (and a very interesting collection of essays to boot)? Why not just enjoy the experience rather than have proof you were there in a selfie? If it means that much to you, buy the book/postcard.

It took me all afternoon to visit the show on my first visit and I had _no_ intention of drawing that time! As you can see above I did do some drawing as an artistic challenge on my second visit. I read every label, listened to everything sound bite, watched almost every clip! Luckily that was on a Wednesday a couple of weeks after it first opened with few other people. On Monday there was quite a few people, with lines to view artifacts, so I didn't worry about consuming everything. I had to be considerate about where I placed myself to draw. What I love about drawing is that it makes you really look at things. You appreciate the form and detail of a thing to a level you would not absorb if you merely looked at it. I thought I knew his face but it was only after drawing from one of his life cast masks - they are dotted on seemingly random mannequins throughout the exhibition - that I knew it best.

It was wonderful to see so many iconic, unique costumes and finely designed outfits in the fibre. To think the great man himself once wore these and defined a moment in time was awesome... 

I had no idea he was such a talented mime, that he was so involved in all parts of his output, such a diligent, organised individual. I love that he kept all of these things, because either he's an organised hoarder or he knew that one day they would be of interest to other people. Probably both! It was a special treat to see the creative process in the material form of Bowie's song writing, on all sorts of paper with corrections and ch, ch, changes.

With almost constant sound and vision - I turned the sound down, took my head phones off or unplugged them because it was sometimes too much - it was an intense experience and I needed a nap after both visits!

Thank you to David Bowie for having the foresight to keep all of these things carefully, the wisdom to engage a collection curator to catalogue them, and the professionalism to approach the V&A Museum with said catalogue and offer free reign to tell your story in the best possible way through The David Bowie Archive. It was not wanting in detail or breadth!

The Fashion World of Jean Paul Gaultier: From the Sidewalk to Catwalk

17 Oct 2014 — 8 Feb 2015   National Gallery of Victoria

Here are my little iPhone snaps of this rather good show which ends in very soon!

My fashion design student co-worker didn't think much of it. Hers was the throw away, proverbial complaint when it comes to art 'I could have done that myself'. Yet you didn't! My friend and I (both industrial designers and artists) enjoyed it. Gaultier himself was happy with it so that must count for something eh?

Another complaint was the low light levels for black garments and I have to admit, they were significantly lower than elsewhere in the show in two rooms, which made it hard to see the intricate lace and beading. Setting them against a black background certainly didn't help and may have altered perception of lux levels ie a light background would have required less light since it would bounce around. That's the first rule of strong display: set your subject to stand out from a background by using a different colour/tone. The First rule of camoflauge : blend into the background by being a similar colour! The conservation arguement doesn't hold sway because having since researched this show these same pieces were displayed elsewhere in more adequate light.



Left: Virgins Collection?
Right: Virgins Collection
Dolorès
Haute Couture, Spring-Summer 2007


Bridal Mermaid, crutches detail
Mermaid collection
Haute couture, Spring-Summer 2008


Bridal Mermaid, purse detail
Haute couture, Spring-Summer 2008

The man is more than a fashion designer - he is an artist. The level of detail in the works was amazing. The general public rarely gets to see haute couture this close while the fashionista usually only sees it for a minute at arm's length at best. It's definitely worth seeing this show if you're in town.


Ex-voto
Virgins (or Madonnas) collection
Haute couture, Spring-Summer 2007
Chiffon and lame lace gown with ex-voto (an offering to a saint or divinity) plaque appliques and star and sea-shell embellished smoked plexiglass headdress. 
This gown took 315 hours to create.



 
Ex-voto, detail
Virgins (or Madonnas) collection
Haute couture, Spring-Summer 2007

Liquid Desire & Destino

Now on at the NGV is Dali: Liquid Desire.

We went last Wednesday and my recommendations are:
Buy your tickets online there was a huge queue;
Hold off seeing it for a bit longer because you're pretty much queuing for the whole show, waiting in line to see stuff.
Patience is a virtue and you will need it. Unless you're like me and pop your glasses on, cut in when something grabs your eye and take them off again, plonk yourself right in front of it to drink in every detail, because goddamn it I want to see it properly now I've forked out $23. I want to see the legs on the ants and every little line he drew.

Good show though unfortunately I had already seen more in Spain and that's hard to live up to especially since there was so much installation art over there. My favourite jewellery piece, The Royal Heart, wasn't brought over due to its fragility and is represented by a looped video instead. I can't help but feel some of the best stuff wasn't included. That's probably because my memory of where I saw something in Spain is a bit befuddled and it wasn't part of the Fundació Gala-Salvador Dalí collection. Being a culture vulture, I visited the best museums Spain has to offer and there's a pleasing quantity and quality of Dalí . I've probably seen more Dalí than any of my friends and acquaintances.

A little gripe I have is that the first gallery's traffic flow continues to be a bottle neck. The other galleries allow a freer flow of viewing that allow you to get a little bit lost but in a nice way, despite the overall linear path of the show. Reader, has it been like this for every Winter Masterpiece show at NGV International? I don't know because this is only the second one I've been to but it happened last year at the Art Deco one as well and it wasn't as crowded.

I was left intoxicated and numb by the art at the end. I couldn't say whether it was good or brilliant. I had to go away and think about it: a little of both due to lack of freedom to drink it all in properly. Nonetheless it is definitely worthwhile. I was awed in person by works I haven't seen before including the small and meticulous portrait of Gala with lamb chops, the photography, and disintegrating atomic series. I loved Destino. If only it were longer [sigh].


Not sure how long this will be allowed up, so savour it while you can.

Sam Leach - The Margin

Sam Leach, 2009
Reflected Magpie
oil and resin on wood

The above is my favourite piece from a solo show by Sam Leach. The other two reflected animals exhibited are also rather clever although everything in this show is worth slowly perusing. Leach's art is extremely disciplined, perfectly detailed, moodily lit, strongly composed. His pieces are small, so no area of the artwork is neglected of a first class level of finish. I also like how they are coated in resin. It lends the works a greater sense of permanence.

Anyone looking to invest in art would do well to buy one of these. You know how you can tell an artist is going to be big? I was right about Ricky Swallow. Anyone with that amount of skill, a certain personal flair and style, and getting media coverage is going to do very well. Leach also has a piece in the Archibalds, and recently in Mute Relics & Bedevilled Creatures: Constructing an Antipodean Curio Cabinet (finished) at Counihan Gallery next to Brunswick Town Hall.

On until the 27th. Click link for further details.

Small Works 09 at BSG

I have 3 pieces in the upcoming Small Works 09 show at the Brunswick Street Gallery. This is an open entry show - similar to the annual Linden Gallery Postcard Show - for all media within a 30cm x 30cm x 30cm size.

Left to right, details from:
Roost (mixed media sculpture),
Anatomy of a Loss (mixed media collage), &
All Thing Dark and Beady Eyed (mixed media sculpture).

Small Works 09
19 June to 2 July
Brunswick Street Gallery
Opening Night: 26 June, 6pm onwards
322 Brunswick St, Fitzroy 3065

More of my art here.

Paul Compton's Tender Things at Hand Held Gallery

Listening to: Bones, by The Killers, from Sam's Town

This afternoon I visited the relatively new (less than a year old) Hand Held Gallery in the city. It's an unexpected, small but well utilised space that's thoughtfully presented. The focus is on art that is small enough to hold in your hand. The staff are very friendly. There is a shop section of art for sale, a little bit like a mini version of what Craft Victoria does in a fraction of the space.

The current exhibition of Melbourne artist and writer, Paul Compton's book format zines and water colours was a delight to behold. Take the time to pop on the white cotton gloves and enjoy every page of his zines/'mooks' Fallacies on Parade and Everyday Tragedies. Compton's sense of humour is deliciously black. His artistic technique is perfectly matched to his prose.

Everyday Tragedies reminded me a little bit of Tim Burton's The Melancholy Death of Oyster Boy through its small format, fine pen and brush work, look at morbity and social acceptance, and dark humour. This is not to say it's derivative at all. Rather, that if you enjoyed that you should enjoy this! Compton's prose is elegant and his art has a muted colour scheme, while Burton's poetry is more singsong with a loose drawing style, occasionally highlighted by acid bright colours.

Highly recommended. Seek this gallery out, it's worth it.

Bugatti and More: On now at Melbourne's NGV International

I enjoyed visiting both NGV venues this afternoon: I highly recommend the Bugatti show at NGV International! All exhibitions currently on are free so there's no excuse for any art and design loving Melbournian, not to make the time to see both this and the other shows.

Bugatti: Carlo Rembrandt Ettore Jean features Rembrandt's lively, evocative animal bronzes; an automobile each by Carlo and Jean; unique, unusual and beautifully crafted furniture by Carlo. As far as talent goes they were world class - it's remarkable to have so much creatively and ability in one family. I think my favourite piece would be Carlo's assymetrical, throne seat which is part of the NGV collection. There's a touch of steam punk about that and some of his other pieces.

The Satirical Eye: comedy and critique from Hogarth to Daumier, a must for anyone who appreciates vintage satire and etching. Features a number of prints by Goya from his series Los Caprichos.

The cricket and the dragon: Animals in Asian Art is aimed at getting children interested in art so be prepared to squat and crouch a lot in order to see most of this show properly. Other than that small grumble and inconvenience for the rest of us, there are some superb examples of Asian craftsmanship and artistic technique. The poster critter - literally - for this exhibition is a copper alloy, life sized rat holding a chestnut. He's gorgeous, I want him! There's a lifelike crab also made in copper alloy and Japanese but a slightly later period and not apparently by the same artist.

Don't miss the smallest pieces tucked away behind tiny windows, inset in a graphic panel between each of the main showcases. Some of the best stuff is there. Exquisitely carved Japanese netsuke*, and finely glazed snuff bottles will make that awkward stooping worth your while!

One of the netsuke on display is very similar to one in the V&A collection*. Perhaps this is a traditional depiction of quails or perhaps one inspired the other.This one is cuter, rounder and sweeter. Their eyes are shinier [grabby hands].

Magnifying glasses are there to encourage kids to appreciate the details but for those of us who are long sighted I expect they could come in handy for some of those tiny pieces!

Remaking Fashion was okay but not my cup of tea and held nothing that really excited me. I continue to be frustrated by the recessed showcases and lack of visibility they afford. Fashion isn't designed to be viewed from one specific angle but 360 degrees. The strategic use of mirrors perhaps, and an extra freestanding showcase would help.


*I've always sought this type of carving out every since seeing my first netsuke at the Victoria and Albert museum in London back in 1997. I love how compact, detailed, and full of character they can be.

Kitsch Koons meets the Sun King

The regal splendour of Versailles, France is about to house a major retrospective exhibition by sculptor Jeff Koons. It is a strange choice of artist for this Baroque venue, both in nationality and style. Many of the locals aren't happy about it at all. Having perused some of the 17 works online in context I am inclined to understand their view point. Some of these pieces looks cheap* and nasty in these luxurious surrounds: namely the full colour inflatable pool toys. The overtly kitsch, gold accented sculpture of Michael Jackson and Bubbles is a particularly controversial inclusion. I think that one is going to be awful where ever it's exhibited!

However other sculptures displayed at Versailles, both indoors and in the grounds, seem to work in a surreal way. Take the exuberantly pink Balloon Dog. At Versailles this piece is being displayed indoors - unlike in my photograph below - however going by the shot taken of it there I feel that it works.


Balloon Dog in Venice, 2007
digital photograph

It's a bit silly and out of place in these old surrounds, but it's fun. Must art bow its hat to history with great reverence? So what if it isn't high brow? That is not what defines art. Sometimes we forget that visual art doesn't have to be serious or meaningful. It can entertain and make you smile or chuckle as well.

Koons' sculptures are created to stand out and look a little odd anywhere. The oversized scale and mirror surface he uses in many of the pieces ensure that. This style is a modern expression of flashy luxury which may well have been appreciated by King Louis XIV himself!


*They are actually really expensive of course. Koons is the most expensive living artist. British Damien Hirst -also known to court a bit of kitsch but more so controversy - is the world's second most expensive living artist. This is based on sales of their two most expensive works in 2007.

Art Deco 1910–1939 @ NGV International

Art Deco 1910–1939 @ NGV International, was extensive with quite a bit of breadth though I must conclude I found a lot of it clunky and a bit heavy visually. The room reconstructions complete with wall decor were retina burning but I guess they were historically accurate. It was like a walk-through art history class and helped me get a better understanding of the style beyond what I already knew.

Best bits: Cartier, Lalique, US streamlining, The Strand hotel revolving door foyer reconstruction, François Pompon’s bronze Polar bear*, car ornaments made of glass, the original Holden lion sculptures. There was an exquisite cut glass vessel from Scandinavia (I think) owned by H.R.H herself. Colourless, it depicted a 360 view of glass house with women attended to some of the many little potted cacti. The detail was amazing.

I had not attended a Winter Masters NGV show before because none of the previous ones were tempting enough. This one swayed me and I felt it was well worth my time and $ :) Looking forward to seeing what the next one will be.


*Featured on lots of the exhibition merchandise in the gift shop. I was disappointed they didn't have 3D versions of him in glass or metal as a miniature perhaps. They just plastered him all over a range of stuff, and some jewellery.

Cut Outs

We saw this today and I recommend it. You can also get a cute little button badge from it for free while you're there.

Cut Outs

Curated by Villain
@ Per Square Metre gallery
191-193 Johnston St, Collingwood, Melbourne
Show runs until 8th June

Over 30 artists participate in Villains latest show, CUT OUTS.
Using mediums of wood, metal, cardboard or other substrates and with no limitations,
the artists are free to explore this Cut Out concept.
Villain is taking this one to Per Square Metre gallery.

ADNATE ASH NOLAN ASKEM CLAUDIO MANTUANO DABS DEAM
DREWSTER DVATE GHOSTPATROL ITCH JASON JACENKO JORZZ JUNIOR
KID ZOOM LOUNGE KAT LUKE FELDMAN MEGGS MEPHISTO JONES MISO
MOTHRA MYLA PHIBS POISE PORE REKA SCOTT JANSEN SEAN KELLY
SEAR SEEKAYAM SIDE PROJECT STINK SUBWAY SUDS ZODE

Black in Fashion: Mourning to Night

Black in Fashion: Mourning to Night is definitely a worthwhile duo of fashion exhibitions. There's beautifully detailed Victorian dresses, architectual structures, exploration of shape and cuts, a variety of fabrics and surface contrasts best explored in monotone.

My expectations of it were a little topsy turvy - I found the Australian half of it at The Ian Potter Centre more impressive than the international half. It isn’t because the fashion was any better but because I could see it well. The lighting was extremely dim at NGV International. Why should this be when you’re dealing with pieces of the same age and materials? I respect the need for dim lighting of textiles but the disparity between the two shows baffles me.

One showcase had no lights on at all - most likely the light bulb was blown - when we visited on a Sunday afternoon. The space containing these large showcases is designed to cut out most daylight, and has minimal ambient light, so this rendered whatever was in the case invisible. I could just make out what might have been an embroided collar or perhaps an apron. I find this is unacceptable gallery practice for such a prestigious institution.

Most memorable pieces @ the Ian Potter NGV;
Two exquisitely beaded, Victorian mantles,
1950s dresses.
@ at NGV International;
Neoprene dress.

February 2008, top exhibition picks for this fortnight

Melbourne CBD

I recommend this fine exhibition of sculpture by Bertram Mackennal, " NGV, Fed. Square. It's free, and on until Feb 24th.
He was known for his beautiful female nudes. I grew up familiar with Circe (generally pronounced sur-see in English, but maybe be called sur-kee, or KEER-kee if you want to be more Greek). My dad used to be a security guard at the old gallery before its refurbishment and most Sunday afternoons we would visit and have afternoon tea with him. I used to be both daunted and fascinated by this particular statue. She's still quite imposing up on her pedestal, but more so when you're a child :). I used to stand in front of her as if she were casting a spell over me. She's still got that magic... There also a lovely marble of Diana, Goddess of War.

This afternoon I checked out a few other shows.

The Melbourne Museum has an $8.50 entrance fee. There were some interesting things but I don't feel that it was worth that when there's so much free stuff at NGV that is of wider importance culturally. Half of that price would have been more reasonable.

Craft Victoria has a poetic show of glassworks by Brenda Page, Once Upon... on until March 1. She takes childhood toys and gives them a bigger sense of meaning through the fragile medium of glass, and with little black graphics of bunnies, insects, people, animals, words and guns. My favourite was the sling shots. Nicely installed and an interesting use of colour and medium.

The jewellery show by Caz Guiney, Precious Nothing, also at Craft Victoria. was beautifully presented, perhaps more so than some of the actual pieces merited. I liked the idea of this. However there were a few castings of objects that don't have interesting forms including what appears to be an obsession with pigeon poo! I did like the jewellery taken from architectual features and disposable drinking cup lids. Worth seeing, if only to turn the idea of what is precious on its head.