Little Shoulders at Lord Coconut.

Little Shoulders

deconstructed French cuff, tea, fabric trim, cotton, synthetic sponge, cardboard, metal fittings

Art of the Cuff
A Fringe Festival Exhibition

16th September - 4th October 2013

Lord Coconut

Suite 3, Level 4
Carlow House
289 Flinders Lane
Melbourne 3000
Tuesday to Friday – 11am to 6pm
Saturday – 12pm to 4pm
Other times by appointment

Enquiries:

0450 015 263

info[at]lordcoconut.com

Binary at Lord Coconut: Celebrating the Digital Age

Stitch and Fusion were created for Binary at Lord Coconut, opening next week.

Binary

Exhibition Opening:
5:30pm - 7:30pm 20 May 2014

Exhibition:
21 May 2014 - 7 June 2014

Lord Coconut

Suite 3, Level 4
Carlow House
289 Flinders Lane
Melbourne 3000
Tuesday to Friday – 11am to 6pm
Saturday – 12pm to 4pm
Other times by appointment

Enquiries:

0450 015 263

info[at]lordcoconut.com



My little robot brooches will also be in the show.

Melbourne University Cultural Treasures - Part 2, The Medical History Museum, Real Steam punk!

In conjunction with the Melbourne Open House program, various collections at Melbourne University were open to the public as part of their Cultural Treasures Festival. Following on from Part 1, Zoology here is Part 2,The Medical History Museum. Note that the museum is open to visitors throughout the year.

The museum includes a relocated Victorian Pharmacy of which I took no pictures. It's a very small space!

I am conflicted when it comes to the Steampunk genre. I love Victorian age imagery and style, incorporating it into my art and to an extent my interior, and clothing. I have always been interested in science particular natural history. Steampunk is therefore up my alley as far as the things I'm enthusiastic about. However some of it is downright silly. The gratuitous/thoughtless use of gears, goggles worn on hats never on eyes, and ridiculous ray guns kinda gets my goat but not as much as it does my BF's
'Some of you are keenly aware of my misgivings regarding this whole Steampunk thing. Today NG provided me with the tools to succinctly opine at any given moment. Therefore, instances of that which has hitherto been referred to as "Steampunk", yet exclusively places aesthetic over substance (i.e. damn near the whole sodding movement), I shall henceforth refer to as "SteamPimp". Reserving Steampunk for applications where cogs might intersect in a meaningful and possibly even functional manner.'

As it turns out they have been doing it wrong. Yes cogs and copper are pretty but real Victorian scientific gadgets are mostly made with brass and they have knobs. Sometimes these knobs are knurled. Sometimes there is a wormgear but otherwise, they aren't bedazzled with gears!


Lister's carbolic acid steam spray
c. 1880
A particularly pretty example of this device as it turns out. What do you do with it? Sterilise the operating theatre in a hospital.


Microruling machine
c.1910
Unfortunately the accompanying label did not explain what it does - though none of the other labels on things did either. Here you go: link. Essentially it rules microscopic lines very close together on a piece of glass to create diffraction patterns from which to calibrate the field of view under a microscope and stuff. Clear as mud? You're welcome.


X-ray tubes
c.1905
They are a bit like a lightbulbs but instead of visible light they emit x-rays: link.


Compound monocular and binocular microscope c. 1864


Compound monocular microscope
c. 1820


More microscopes
c. late 1800s


Compound monocular microscope c. late 1800s

Victorian Iron Man

If Iron Man's Tony Stark lived in the Victorian period he might have looked something like this:



Original image from Cassell's Family Magazine, 1886, page 576

The light source was powered by a similar sized battery, just to add to that likeness. Accompanying text:

'A very neat portable hand electric lamp has been introduced for use in mines, gunpowder works, and other inflammable places, besides being adapted for use as a railway or carriage reading-lamp ... the box, B which is of varnished teak, and has a flat, flexible leather handle ... The size of the box is 6 by 5 by 4 inches, and the weight of the whole is only 6lbs ... can be put under the seat of the carriage, or in the hat-racks, while the lamp is held in the hand, or fixed to the button-hole of the coat.'

The rest of the text discusses the chemistry behind the batteries suitable for such a device which I won't go into.

Robert Downey Jnr as Mr Stark wired up to a car battery: 

The Black Market, The Dormouse and The Meerkat

The Black Market is an alternative culture market featuring crafts, art and bric-a-brac. I will be sharing a stall with my housemate who has knitted goods.

We will be called  
The Dormouse and The Meerkat.

Click here or below on the titles in the price list to see some of what will be on sale from me, The Meerkat.  There will be Black Market Specials on my artworks, dropped from their previous gallery/Wunderkammer prices. Prices start from $30.

The Black Market

Saturday, June 9

11-6

@

Revolt Melbourne Artspace

12 Elizabeth St, Kensington, Melbourne, VIC 3031

Entry is free for the Black Market, with ticket admission for other events as part of Fiend Fest.

Creature Comfort

Moving meatballs/pictures. Don't judge a book by its cover!

Until Christmas a few years ago I had absolutely no idea about Terry Pratchett or his books only that they had busy, grotesque, knobbly and bulgy figures in gaudy colours tumbling about their covers. I found those covers by Josh Kirby (R.I.P.) off putting, suggesting baudy fantasy stories and thus had no interest in reading them. Pratchett purists and of course Pratchett himself seems to adore Kirby's illustrations but for me they show Kirby's 1970s fantasy and sci-fi roots. That is an aquired taste and it can be polarising - you tend to either love or loathe it. I don't deny the skill and technique that went into these pieces. They're just not appealing to me...

 ... unlike Spanish meatballs with aioli! I had these two items sitting on my desk today:



 One thing led to another - with bit of half a**ed, crappy Photoshopping you've got a delicious meatball troll and, as it turns out, a blog post:
 

Then one Christmas there was a curious telemovie and it made me laugh: Hogfather. I had also read Good Omens by Pratchett and Neil Gaiman which made reading on the train a little awkward but fun because I barely stifled my chuckles. Although I'd read most of Gaiman's Sandman series it was only after reading more Gaiman paperbacks that I realised the humour must have come from Pratchett. I have since grown to adore his work, and can see how he has honed his skill over time.

When reading Pratchett's books I choose the softly coloured, beautiful new covers by Paul Kidby over the old - though I hasten to add I'm happy to get my hands on a book irrespective of cover. These and the teleseries really capture the essence of  Pratchett's work for a new generation. The steampunk flavour of Going Postal was wonderful, the story excellent, the casting and thus acting - loved David Suchet - superb making it my favourite telemovie so far. I will always imagine the Patrician, Lord Vetinari as Charles Dance now.

A Modern Utopia by H.G. Wells

If you have enjoying Wells' other works you may well find this to be a disappointment. An especially inappropriate book to introduce a H.G. curious, new reader. Wells is a fine novelist but A Modern Utopia is an essay/novel hybrid which doesn't work. Wells often introduces his books with great humility and self deprecation. I've learnt to take that with a pinch of salt because I have seldom found his works wanting. However in this case it's justified. I tried to finish it, resorting to skimming but it was still too much effort for what little reward I received. He should have written an essay without a narrative - at least then the unfortunate sci-fi reader would know that they are not in for an adventure. For the philosophical reader who is stimulated by theories about what might make a modern Utopia this could be a very interesting book. I am the aformentioned reader.

Twenty Thousand Leagues Under the Sea by Jules Verne

In a nutshell: STFU about the fish and get on with the adventure.

The plot when there was plot was rivetting, and Verne's occasional comic relief through both Conseil and Ned Land was entertaining as well. I'm told that comprehensive detailing of the science in SF is characteristic of the period. If it were published today it would probably be half as long because as a modern reader that is tiresome and we like to be entertained by the non-fiction aspect don't we? The modern reader has access to books, journals like New Scientist, the internet if he/she desires to learn more. We don't need that level of detail. There is extensive discussion of maritime history, geography, specifics of longtitude and latitude, physics and waaay too much coverage of every single fish and lifeform encountered.

This reader understands that the narrator is a marine biologist but is this text written for the benefit of fellow scientists? The use of scientific names only in some cases was particularly annoying! The text would be at least a quarter if not a third as long if these piscine descriptions were pared back to the essentials.

Spaceman to Victorian diver customization

Customization in progress.
20th century spaceman, 1 1/2" tall, plastic figure bought to accompany my Sea Monkeys on Mars tank.


Victorian diver
In order to make this convincing, I did a bit of google image researching.
The front window is a brass eyelet and a plastic disk. The side and top windows are googly eyes with the lens cut back to just a rim. I used a scalpel. emery board and carving tools to cut off the space paraphernalia, define the helmet, and 'depuff' the suit.


I also did a mini steampunk style customization on the base of the tank.

The First Men in the Moon by H.G. Wells

Despite Wells' modesty about glossing over the science with fiction (namely Cavorite) in The First Men in The Moon, I found it to be one of his most scientific pieces so far. His explanation of defying Earth's gravity, how life forms might evolve in the absence of earthly gravity, and how humans might find moving about on the moon then returning to earth were all scientifically plausible if not accurate. Well's background in natural science is highly evident in his descriptions of lunar vegetation, its habits, and in particular its growth cycle.

None of this is to say that the science overwhelms the story for indeed it does not. True to form this is as rollicking a Victorian adventure as any Wells has written. Woven throughout the book is a philosophic pondering on the often exploitative and violent nature of humans. Allowing the audience to read the story from the two characters' viewpoints in two, carefully spliced sections of the book adds a clever twist to what could otherwise have been an anti-climatic ending.

Napoleon's Imperial Star

IMPERIAL STAR
(From a contemporary Picture. Time: The Austrian Marriage)

Image and caption from 'The Portraits of Napoleon the First',The Magazine of Art, c. Victorian era.

London Tubes, 1926

Building a London Tube Station Tunnel.


Building a London Tube Station Tunnel, detail.


An underground Wonder
'These intricate tubes (near Mornington Crescent, London, N.W.) were so accurately laid that when they were joined up (after being started from each end) they fitted within a quarter of an inch. A hundred and sixty trains pass through them in an hour between North and South London.'

Original images and text from : Chatterbox (1926, Children's Annual), published by Wells Gardner, Darton & Co., London 1926. Artist unknown

I <3 H.G. Wells

Listening to: Anarchy by KMFDM from Symbols.

Recently I have been endeavouring to devour the classics of sci-fi since it is a genre which interests me particularly as a dabbler in steam punk. So far H.G. Wells is my favourite. His writing style is clear and accessible without spoon feeding it to the reader. I like the way he makes the reader think about the moral, philosophical and scientific possibilities evoked within his stories.

The Island of Dr Moreau
From the first page I found it to be page turner. That teamed with being a novella makes it an extra quick read. It's quite visceral, horrific and violent at times. Wells questions what it is to be human or beast, and the merits of each. Nature versus nurture is explored as well as scientists playing God.

The Time Machine
A very thought provoking hypothetical on the eventual state of humanity, the progress of civilisation and industry, and what that could mean for our evolution. The inspiration from Darwin's The Origin of the Species is very strong in this novella - more so than The Island of Dr Moreau. I found my thoughts wandering a few times in a good way because it got me thinking 'What if?'

Bugatti and More: On now at Melbourne's NGV International

I enjoyed visiting both NGV venues this afternoon: I highly recommend the Bugatti show at NGV International! All exhibitions currently on are free so there's no excuse for any art and design loving Melbournian, not to make the time to see both this and the other shows.

Bugatti: Carlo Rembrandt Ettore Jean features Rembrandt's lively, evocative animal bronzes; an automobile each by Carlo and Jean; unique, unusual and beautifully crafted furniture by Carlo. As far as talent goes they were world class - it's remarkable to have so much creatively and ability in one family. I think my favourite piece would be Carlo's assymetrical, throne seat which is part of the NGV collection. There's a touch of steam punk about that and some of his other pieces.

The Satirical Eye: comedy and critique from Hogarth to Daumier, a must for anyone who appreciates vintage satire and etching. Features a number of prints by Goya from his series Los Caprichos.

The cricket and the dragon: Animals in Asian Art is aimed at getting children interested in art so be prepared to squat and crouch a lot in order to see most of this show properly. Other than that small grumble and inconvenience for the rest of us, there are some superb examples of Asian craftsmanship and artistic technique. The poster critter - literally - for this exhibition is a copper alloy, life sized rat holding a chestnut. He's gorgeous, I want him! There's a lifelike crab also made in copper alloy and Japanese but a slightly later period and not apparently by the same artist.

Don't miss the smallest pieces tucked away behind tiny windows, inset in a graphic panel between each of the main showcases. Some of the best stuff is there. Exquisitely carved Japanese netsuke*, and finely glazed snuff bottles will make that awkward stooping worth your while!

One of the netsuke on display is very similar to one in the V&A collection*. Perhaps this is a traditional depiction of quails or perhaps one inspired the other.This one is cuter, rounder and sweeter. Their eyes are shinier [grabby hands].

Magnifying glasses are there to encourage kids to appreciate the details but for those of us who are long sighted I expect they could come in handy for some of those tiny pieces!

Remaking Fashion was okay but not my cup of tea and held nothing that really excited me. I continue to be frustrated by the recessed showcases and lack of visibility they afford. Fashion isn't designed to be viewed from one specific angle but 360 degrees. The strategic use of mirrors perhaps, and an extra freestanding showcase would help.


*I've always sought this type of carving out every since seeing my first netsuke at the Victoria and Albert museum in London back in 1997. I love how compact, detailed, and full of character they can be.

Paris in the 20th Century by Jules Verne: Reviewed

Listening to: Dressed in Black, by Depeche Mode, from Black Celebration

Background and other reviews here for you if you feel the following review you are about to read is ignorant or blasphemous to the history of sci-fi. I formulated this opinion on my own prior to seeing any other reviews - apart from the glowing ones on the book cover of course - and I feel validated that I'm not the only one to think this way.

In a nutshell: this sci-fi novel was published posthumously and his editor rejected it originally.

There's a reason why his editor originally rejected this forgotten manuscript and I hardly think it was because of the sci-fi technology being beyond its time, especially given that Verne is known for his sci-fi. I think that's just spin from the publishers. I don't think it was the dystopia either although that was highly unusual for the period. The reason is because this is bloody BORING!

Yes there are some startlingly accurate predictions as to technology's progress a hundred years into the future. Verne knows his stuff and is insightful.

An extreme form of feminism is predicted with women being so like men there is no point in them being women any more. It's certainly a dystopian outlook in keeping with the rest of the novel. However the idea of women being replaced with air compressors (WTF?) in human reproduction is VERY far off the mark. I'm guessing biology isn't one of Verne's scientific strengths but rather physics, chemistry and engineering.

There are dull descriptions about some of the organisations and what they do or rather don't do and how they control society in general, the history behind their formation.

There are ridiculously detailed, measured descriptions of things that aren't that pertinent to the story but have been included anyway eg exactly how many centimetres deep a particular body of water froze because the winter was so cold etc etc. I don't care, why are you telling me this?!

One chapter is a flimsy history of French writers in some rather pointless 'dialogue'. If I wanted to read about the history of pre-Victorian French authors I would borrow a book on the subject. The characters' dialogue in general is unbelievably flamboyant. This may or may not be due to the translator's hand.

The protagonist from quite early on is obviously a loser, not a survivor. I had hoped with the friends he made and his desire to pursue art over industry that he would start some sort of small revolution but he was too foolish for anything so clever. His pathetic attempts to move up in the world were so ignorant, they were obviously going to fail so they elicited no sympathy from me. I always feel cheated when the protagonist of a story is not just an anti-hero but a fool who should have seen it coming and could have stopped it if he had a backbone.

At first I felt some empathy with the idea that he and other artists are not appreciated. They want to create and have no choice but to work for money while their soul longs for something better. I could believe that 100 years into the future, Art is squashed out of existence by commerce. I can see how that could happen.

On the whole this felt unedited. You could probably fill only 3 or 4 chapters with the actual story. So much of the rest is superfluous.

Other reviewers have said there is little plot and this should be read and recommended as a historical piece, a remarkable prediction of the future. Perhaps that would have aided my appreciation, and allowed me to recommend this book which I do not: at least as a novel.

In spite of all this I do intend to read at least one of his better known works since at least they were edited. Jules Verne is famous for a reason after all and other reviewers agree; his other works are a far better read!

Customise a mask - How I did it.

Listening to: Poker Face by Lady Gaga



I started with a well shaped foundation mask from the discount basket (was about $10) at Eloquence Homewares. This one is papier-mâché which lends itself well to repainting.

Why did I want to change a pretty mask like this one? In a nutshell I felt it needed gothing/steampunking up. It was the wrong colour - a very bright yellow base, sparkling rainbow film glitter, with a pale pink plastic diamante. I needed it to complement this choker I had made for the Euchronia Ball.

Using a stiff bristle brush - a mini stencilling brush I think - I dry brushed black acrylic paint over the painted and glittery areas to dirty and age them. I topped up some of the plain gold, scrolled, glitter design that had gotten a bit muddled by my dry brushing.


I pulled off the diamante and the smaller, grey dappled feathers. Using copper enamel hobby paint and a 000 taklon brush, I carefully painted around the glitter scroll design and over all of the yellow, stippling to blend into the silver area. This type of enamel paint is easy to work with, quick to dry and inexpensive for the coverage you get.

I painted the back and front edge around the trim with black acrylic paint. This was sealed with a mixture of pearlescent acrylic medium and PVA glue for durability ... and to prevent my nose tip from possibly getting black while wearing the mask! This paint was also used to tidy up around the feathers to hide the residual glue from the removed decorations

The synthetic lace was sewn onto the existing woven trim using a small, curved needle. Before committing to such a time consuming exercise I tested out how this would look by pinning it in place. It was not cut to length but sewn on then trimmed off to ensure I couldn't run out. A few more stitches finished the lace end. If I were to do it again I would start from the middle at the forehead rather than the tip of the mask since the symmetry would be that tiny bit better.




Here is a large, metal, filigree cap bead and a small Czech crystal (the same type and size used on the matching choker).


I gently opened up and slightly flattened the cap bead. I stuck the crystal in the centre using contact adhesive. More contact adhesive was used to stick the two to the mask over where the pink diamante had been. Assembled it looks like both a flower, and a gear with a ruby movement.

I didn't want to stick an actual gear on it, since that would be too obvious and a bit silly! It would also be a somewhat clunky - I did try out a few different watch gears. Stylewise a gear was not in keeping with such a feminine mask, and it would limit it to steampunk outings only.


Finished! Almost...


Knowing I wouldn't want to hold this beauty to my face the entire evening, I added a loop of ribbon big enough to easily take my hand while holding the mask. It's sewn in place and the bow is sewn to ensure it stays.


Thus I was able to gracefully hold it in my hand while wearing the mask and dangle it from my wrist while sipping a cocktail.


Voila!


After the event it made a nice addition to my decor. I tied a little loop of gold thread at the end of the stick near the mask and hung it off a pin.

I hope that was inspiring. I love customising things :)

Steampunk & the Euchronia Ball, NYE 2008

Background
I've only recently been dabbling in steampunk, but my understanding is we have a small community right here in Melbourne. It's not as big as goth but there is a fair amount of cross over in terms of fashion because of the gothic penchant for the Victorian. Many goths do cross over, and did on the night.

I predict that steampunk is the next big thing in international subcultures to influence the mainstream. Over the last year I've seen a slowly growing wave of interest and coverage. The subculture is already being mined by the likes of Jean Paul Gaultier in his most recent collections AW08-09 here and to a lesser degree SS09 here. It's just a matter of time for it to trickle down.

Due to the hectic time constraints of my job in the lead up to Christmas I did not have the time to organise a new gown of any sort. Instead I accessorised my Victorian goth coordinates. I customised a paper mache mask (see end of post) and made a steampunk, velvet choker.

The Ball
The first Euchronia, steampunk ball held on new year's eve 2008 was quite fabulous! I am looking forward to attending the next one.



As I expected the DJing was by goths and a large portion of the well to exquisitely dressed, costumed crowd were goths. It made sense that the music played appealed to this audience. There were also performance artists of a vaudeville nature though to be honest many of them didn't appeal to me. I quite liked the solo performance by one of the belly dancers. The live bands were definitely enjoyable particularly Dandylion Wine whose rendition of 'Magic Dance' from the 'Labyrinth' soundtrack was a jolly good rollick!

No photography was allowed according to the ticket unless prior arrangement was made with organisers. I disagree with this stance. I presume it was to ensure the paid services of the official photographer since this is not a sacred venue, nor would any artworks be violated by flash photography. If there were lots of photographs from the event out there, a range of people over many websites could help promote it for free thus ensuring a bigger result for the next one. It works for the Annual Labyrinth Ball over in the America, and the new Labyrinth ball here.

The event took up 3 rooms over which there was a chill out space with professional photography*, 2 dance floor areas and stages. The main performance room had the main bar. The cocktail list was decent and well priced with free water and glasses provided. Delicious gourmet party pies were also available. All rooms were steampunked with handmade decor ranging from sculpted dirigibles to stencil art. As a venue it was an excellent choice to host this event. I expect a slightly bigger one may be required for the next one! We were a bit surprised it ended at 3am! We just wanted the fun to continue :)



Coming soon: A How to Customise a Mask for the above result

*Prints available for sale at Euchronia's website.

Charming steampunk flavour

Listening to: Monster Love by Goldfrapp from Seventh Tree



From Flying Frog Folio - Visual Merchandising, my online display blog.

The Arrival by Shaun Tan via Cabinet of Wonders

Listening to: Into the Nightlife by Cyndi Lauper, from Bring Ya to the Brink

I have been meaning to write about one of my favourite Australian book illustrators*, Shaun Tan for some time now and have been pipped to the post! Heather McDougal has eloquently blogged on Cabinet of Wonders about The Arrival. Via the comments page you can find this rather wonderful little documentary/interview with Shaun about the upcoming animation of The Lost Thing and the artistic process. The Arrival is my favourite Shaun Tan graphic novel, followed by The Lost Thing so I'm finding the prospect of that being animated, rather exciting!

What I adore about Shaun's unique work is the quirkiness, aged rather than shiney and new textures, details, fantastic creature design, contraptions and landscapes. It's a little bit steampunk without referencing any period in particular and in that sense, timeless.



Print sized illustrations from The Arrival here.

Website of the Day
Shaun Tan


*The other is Melbourne based, Graeme Base whose work I have had the pleasure of growing up with and seeing in the flesh at an exhibition recently. I got some books signed for Christmas including the delightful 'The Art of Graeme Base' :)

Anton's: 'Purveyors of mighty fine clothing...'

Listening to: Panic, by The Smiths

Anton's print advertisement from the back of the Melbourne, Spiegel Tent program.

I'm a sucker for collages incorporating Victorian/vintage imagery and science illustrations. The radiating sunburst holds it all together beautifully.

Yes, Anton's do sell mighty fine attire. The Melbourne Central shop is well worth a visit just for the decor and window display. Anton himself collects the new and vintage, object d' art and props. The staff are friendly and exceptionally well dressed. They sell more than suits and much of it has a vintage flavour. They do not have a website they are so old school!